An Audio interface is an essential piece of equipment for setting up your home music studio. It basically acts as a buffer between your Studio Monitors, Midi Keyboard, Guitar, microphone or any other additional device / instrument that uses up a lot of power from your computer (Mac in my case).
So with a proper USB audio interface, instead of using ALL of your little computer’s power, you are using an ‘interface’ that helps balance the load out properly. This way all parties involved (Computer, Midi keyboard, etc) are all working in harmony.
Most importantly, if you want your music to sound just as good anywhere else, as it does on your studio monitors, you need an audio interface.
If you are buying quality studio monitors, you need an audio interface bud. No ifs and buts about it. I have a MacMini and without a proper audio interface, my computer would have fried a long time ago. Best part is these days they have audio interfaces that can connect with a simple USB.
Check out out picks for the Best Audio Interfaces around. Attack Magazine also featured some really good ones as well.
Best USB Audio Interface Under $1000 in 2017
|Brand||Headphones Out||MIDI Out||Mic Out||XLR Out||Amazon Link|
|Tascam US-2×2||1||1||1||2||Price Check
|M-Audio M-Track 2X2 C-Series||1||1||1||2||Price Check
|Novation Audiohub 2×4||1||no||no||no||Price Check
|Avid MBOX Mini Ultra-Compact||1||no||1||no||Price Check
|Focusrite Scarlett Solo 2nd Gen with Pro Tools||1||no||1||no||Price Check
|BEHRINGER U-PHORIA UM2||1||no||1||no||Price Check
|PreSonus AudioBox 2x2||1||1||1||1||Price Check
|Steinberg UR12||1||no||1||no||Price Check
|Native Instruments Komplete Audio 6||1||1||no||no||N/A|
|Universal Audio Apollo Twin MKII SOLO||1||no||1||2||Price Check
Tascam US-2×2 – Best Audio Interface For Under $200
This is the one that I have and therefore this is the one that I recommend. It is hands down the best usb audio interface for home recording and professionals as well. It’s affordable and is a super quality interface.
Also known as the best audio interface for Logic Pro X but works on pretty much any DAW. Most audio interfaces work with any DAW, there are only a handful that don’t so no worries.
Bottom line, TASCAM’s US 2×2 is all you need as it stands out in its practical design as well as its high-quality audio properties. They have some great info on their website as well.
This interface has a 2-way channel interface suited for home, work, or mobile studio tasks. It also allows you to connect a condenser microphone at 57dB. With no buzz or distortion (Seems to occur in a cheap audio interface). This Tascam model is also one of the best audio interface for studio monitors.
If you are recording vocals and require a microphone output, this one comes with that as well. An audio interface with 2 headphone outputs is kind of unnecessary so the single one you’ll find on this model is more than enough.
A special USB 2.0 connection or an alternative power adapter supplies the power of the 2-ins and 2-outs. Great way to enjoy the plug and play capabilities of this interface.
On and off MIDI is also featured to enable the attachment of synths, drum devices, and midi controllers. In addition, you also get two Digital Audio Workstations software apps to pick from like the Cakewalk Sonar X3 LE and Abelton Live Lite 9.
Both renowned in the electronic music production genre. I consider this one of the best audio interface for under $200.
There is literally NO latency on this one. I use it, I know 😉
Alternate: The only other one I could think of is the Native Instruments audio interface (Also known as Komplete Audio 6). Learn more about it here on Amazon as well.
M-Audio M-Track 2X2 C-Series | 2-in/2-out USB Audio Interface Review
Want some great studio-quality recordings? You can achieve such results with the new M-Audio M-Track 2X2 this is totally possible. The device specifically produces 24-bit/192khZ recordings combining a smart and user-friendly audio interface, for use by beginners to advanced users.
A chic professional level steel chassis with a big audio knob in the middle, and minimal noise “Crystal” pre-amps combined with pure A/D converters make this device produce the highest level of audio quality of its kind.
With M-Track 2X2 it’s possible to record a max. of two channels at the same time, due to its reliable XLR+ 1.4 balanced combo input and brand new revolutionary 1/4 inch instrument input with a distinct enhancement and acoustic impedance that offer the most crispy clear and accurate results when you connect your guitar to the interface.
The process of connecting your device is actually pretty easy. All you have to do is connect your P.C or Mac through a typical USB or USB-C port, using the two cables supplied. The recording function couldn’t get any easier as the advanced hi-speed USB connection together with USB/Direct balance knob allow any latency when controlling your inputs.
An all-around great device that combines ideally professional studio quality, user-friendly characteristics and its built-in software that offers everything you need to start your recordings.
As far as price goes, this is the best cheap audio interface around.
Akai USB audio interface is a good one if you don’t mind spending more and like that classic look. Falls into an audio interface under $500 category, this Akai audio interface is one of the coolest one’s ever made.
Novation Audiohub 2×4 Combined Audio Interface and USB 2.0 Hub Review
Audio Hub 2X4 combines both an acoustic interface and USB hub for generating electronic music paired with “Focus-rite” sound quality. Consider by many as the best mid range audio interface.
The new combined device allows the user to attach all USB ports at the same time without any latency and excessive noise being produced during the process. It is equipped with 3 separate bus-powered USB ports for getting started, equalizer stereo port that allow a more precise and accurate sound quality and 4 RCAs that produce premium quality audio.
Additionally the device offers a strong audio interface which is the result of collaboration with Focus-right to facilitate one of the best interfaces of its kind in the industry, offering the user top-notch quality that reaches 96kHZ and 24-bit studio quality.
What does this means? Production of accurate studio quality and equalized outputs with a fully autonomous level adjustment. Headphone output is also hardly ever noisy.
Avid MBOX Mini Ultra-Compact Audio Interface Review
An innovative interface perfect for single musicians and sound producers and mixers with professional grade audio quality that results from the M-Box Mini sound interfaces, which are also mobile. With this new interface, the user can connect multiple organs and monitors with their P.C to record and produce studio-grade sounds and music.
You can simply combine the interface with multiple music production softwares like for example Logic, Pro Tools, Fruity Loops, Cubase, Live, and more.
The end result will always be high quality regardless of your choice as the MBOx Mini was created by the same group that produced the avant-garde Pro Tools HD series interfaces which offer the best audio quality and function in sound production.
How To Use An Audio Interface
The audio interface is the hardware that connects your recording and listening tools to your computer, thereby allowing analog signals to be converted to digital files (otherwise unable to be processed by your computer).
While some inexperienced producers might want to skip this step, instead choosing to utilize their computer’s built-in sound-card, they would be sacrificing the over-all professional sound quality that is only offered by audio interfacing.
The added outputs are what allow for the ease of editing and the sound quality of recordings. But the reason why selecting an audio interface can be such a challenge is due to the sheer number of varieties, each specifically designed for a different standard of studio.
These can range from an interface costing as little as $200, ideal perhaps for a studio apartment, where only a single pair of outputs is needed for your monitors. But expanding from this, such as in a professional producer’s studio, the interfaces required varies, due to the various types of inputs and outputs.
The variety and requirements of these can lead to interfaces costing as much as $4000 each. This is on top of the complications with determining just what kind of interface will be needed, even for the most experienced user. And so what follows is a guide to help you select the ideal audio interface, tailored to fit your needs.
Your average audio interface is made up of a wide collection of features, so it’s no wonder the difficulty there is in deciding which are relevant. However, there are five main features to look for in selecting your audio interface, as follows:
Generally, DAW’s are versatile and can work with different interfaces. But unfortunately, this is not always the case. It’s a small gap in the group, but about 10% of DAW’s will not be compatible with the interface you choose. The issue arises in the event that you are loyal to a particular DAW that is in that ten percent.
To avoid this, one can research the range of compatibility on your DAW on the brand’s website. Unfortunately, you may have to do some deep-digging, as this information is generally not the most accessible.
Often the details concerning compatibility can be found in the FAQ section of the website, as the company cannot fully guarantee the future compatibility of their product with the acceleration of developments. If at all possible, you might benefit from using an interface produced by the same brand as that of your DAW.
In order to actually connect your audio interface to your computer, you have four options to choose from, in ascending order of value:
The USB cable is the most common connector seen on inexpensive home-studios, and it is considered one of the slowest options. Though the Firewire is considerably less commonly used these days, it has a noticeably faster data transfer rate when compared to the USB.
The Thunderbolt is popularly used with the newer mid-range interfaces, and exceeds both USB’s and Firewires in speed. And finally, the standard connection of professional interfaces, the PCIE is often preferred as the fastest connecter, with the added benefit of having additional processing abilities.
“Value” is intended to imply monetary expense, as for those with a budget, a USB can still prove to be adequate. One should remember, however, to confirm that whatever you choose it is compatible with the equipment you intend to pair it with.
Input/Output (I/O) Count
The amount of I/O’s one will need in their studio set-up depends primarily on the amount of tracks they intend to record at one time. For instance, a solo musician may only require two to four I/O counts, such as those found on a mid-range interface.
A small song-writing team would likely need up to eight. But engineers that actually record bands will be wanting something more in the sixteen count range. However, instruments as complicated as an electronic drum kit might want eight counts on their own, and so it is very important to consider your I/O count needs when selecting your interface.
Input Channel Types
Now, a final thing to consider when selecting the audio interface that best fits your recording needs are the different types of input. The fact is that when manufactures refer to input, it could describe any or some combination of the following:
Mic input refers to an input that can directly connect your microphone to your computer.
However, a line input will require that you also have an outboard mic preamp, as this is what will be used for the mic channel.
Now this brings us to the optical input . . . This particular input is a digital format, and as such requires a digital converter with an optical output, as well as the previously mentioned outboard mic preamp, in order to be used as a mic channel.
We have addressed the most significant features to keep in mind when acquiring your own audio interface. Now one should consider that in order to avoid the necessary addition of a multi -channel mic preamp, the end result may be fewer inputs than needed or anticipated. This is due to the fact that though a typical interface may have as many as sixteen inputs, only a number of these may actually be microphone inputs.
These could range anywhere between two to eight. There are also other types of inputs to consider for specific needs, such as DI inputs for guitar or bass players, or MIDI inputs for keyboardists. So it is important to understand that the number of inputs listed on the product are not necessarily the actual number that you can make use of.
Now you have the tools to go out and actually assemble your own tool kit to start you own recording studio, as long you keep in mind their interface’s compatibility with their current tools.